|
N68 .P26i
|
Idea : a concept in art theory / |
1 |
|
N68 .P26i 2
|
Idea,: ein beitrag zur begriffsgeschichte der älteren kunsttheorie. |
1 |
|
N68 .S34b
|
Barock und Rokoko : Eine kritische Auseinandersetzung über das Malerische in der Architektur. |
1 |
|
N68 .T54
|
On art and architecture / |
1 |
|
N68.3 .A45a
|
ÆSthetic as science of expression and general linguistic / |
1 |
|
N68.3 .A46a
|
Aesthetic as science of expression and general linguistic,/ |
1 |
|
N68.3 .V46
|
Il gusto dei primitivi. |
1 |
|
N70 .A6815 1965
|
Art and visual perception : a psychology of the creative eye / |
1 |
|
N70 .A77a
|
The directorial mode : notes towards a definition. |
1 |
|
N70 .B32r
|
The relation of art to nature,/ |
1 |
|
N70 .B37a
|
Aesthetics and history in the visual arts / |
1 |
|
N70 .B39c
|
Le crépuscule des images / |
1 |
|
N70 .B76b
|
Beyond aesthetics : investigations into the nature of visual art / |
1 |
|
N70 .B83a
|
The aesthetic experience,/ |
1 |
|
N70 .B85a
|
Art and understanding,/ |
1 |
|
N70.C25 H6c
|
The Counterpoint to likeness : essays on imitation and imagination in Western painting / |
1 |
|
N70 .C597 1972
|
Art and the creative consciousness. |
1 |
|
N70 .C62 1955
|
The principles of art, |
1 |
|
N70 .D25a
|
The art that broke the looking-glass : the Dallas Museum for Contemporary Arts, November 15-December 31, 1961. |
1 |
|
N70 .D26p
|
The psychologist looks at art,/ |
1 |
