Into the light : the projected image in American art, 1964-1977 /
"From the mid-1960s to the mid-1970s, projected installations helped to create a new language of art-making. By transforming traditionally static viewing spaces into active participatory fields, experiments with the moving image in those decades dramatically expanded the parameters of modern ar...
Saved in:
| Author / Contributor: | |
|---|---|
| Imprint: |
New York :
Whitney Museum of American Art : Distributed by H.N. Abrams,
©2001.
|
| Format: | Book |
| Language: | English |
| Subjects: |
MARC
| LEADER | 00000cam a22000004a 4500 | ||
|---|---|---|---|
| 001 | 000090027 | ||
| 005 | 20220401154819.0 | ||
| 008 | 010619s2001 nyua bq 000 0 eng | ||
| 010 | |a 2001026965 | ||
| 019 | |a 47775607 |a 492411217 |a 982671627 |a 1008141301 |a 1022706152 |a 1170355264 |a 1201822351 |a 1201907242 | ||
| 020 | |a 0810968304 |q (Abrams) | ||
| 020 | |a 9780810968301 |q (Abrams) | ||
| 020 | |a 0874271282 |q (Whitney) | ||
| 020 | |a 9780874271287 |q (Whitney) | ||
| 035 | 9 | |a (CStRLIN)PAPA05-B10939 | |
| 035 | |a (OCoLC)47216455 | ||
| 035 | 9 | |a (CStRLIN)PAPA05-B10939 | |
| 035 | |a (OCoLC)47216455 |z (OCoLC)47775607 |z (OCoLC)492411217 |z (OCoLC)982671627 |z (OCoLC)1008141301 |z (OCoLC)1022706152 |z (OCoLC)1170355264 |z (OCoLC)1201822351 |z (OCoLC)1201907242 | ||
| 040 | |a DLC |b eng |c DLC |d PMC |d BAKER |d PL# |d NLGGC |d BTCTA |d YDXCP |d IG# |d UKTTE |d UKM |d ZWZ |d GEBAY |d ILU |d DEBBG |d OCLCF |d OCL |d OCLCQ |d GILDS |d OCLCO |d UKUOY |d OCLCQ |d OCLCA |d YBM |d OCLCA |d CNCCA |d OCLCO | ||
| 042 | |a pcc | ||
| 043 | |a n-us--- | ||
| 050 | 0 | 0 | |a N6512.5.V53 |b I43 2001 |
| 100 | 1 | |a Iles, Chrissie, |e author. | |
| 245 | 1 | 0 | |a Into the light : |b the projected image in American art, 1964-1977 / |c Chrissie Iles. |
| 260 | |a New York : |b Whitney Museum of American Art : |b Distributed by H.N. Abrams, |c ©2001. | ||
| 300 | |a 183 pages : |b illustrations (some color) ; |c 25 cm | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 336 | |a still image |b sti |2 rdacontent | ||
| 337 | |a unmediated |b n |2 rdamedia | ||
| 338 | |a volume |b nc |2 rdacarrier | ||
| 500 | |a Published on the occasion of an exhibition held at the Whitney Museum of American Art, New York, Oct. 18, 2001- Jan. 6, 2002. | ||
| 504 | |a Includes filmography and bibliographical references (pages 162-179). | ||
| 505 | 0 | |a Between the still and moving image / Chrissie Iles -- Projection and dis/embodiment : genealogies of the virtual / Thomas Zummer -- Artists in the exhibition : Robert Whitman, Andy Warhol, Yoko Ono, William Anastasi, Robert Morris, Bruce Nauman, Mary Lucier, Keith Sonnier, Dan Graham, Anthony McCall, Dennis Oppenheim, Vito Acconci, Michael Snow, Beryl Korot, Gary Hill, Paul Sharits, Joan Jonas, Peter Campus, Simone Forti. | |
| 520 | 1 | |a "From the mid-1960s to the mid-1970s, projected installations helped to create a new language of art-making. By transforming traditionally static viewing spaces into active participatory fields, experiments with the moving image in those decades dramatically expanded the parameters of modern art, producing some of the most significant moving image installations in modern art history. Since that time, the projected image has become a prominent feature of contemporary art-making, and the incorporation of large-scale moving images by artists into installations now has a rich history. But due to the ephemeral nature of the original art works, many classic installations, while remembered, have not been widely seen." | |
| 520 | 8 | |a ""Into the Light" accompanies the Whitney Museum of American Art's re-creation of nineteen landmark film, video, and slide installations from this prescient era. The exhibition is the largest of its kind to date, and the first to explore the history of projected installations. Many of these moving image installations have been restored especially for the exhibition, and are presented for the first time since their initial showings. | |
| 520 | 8 | |a Together, they reveal the ways in which traditional definitions of cinema, sculpture, and optical perception were overturned in the 1960s and early 1970s, as artists created hybrid environments that incorporated video, film, slides, performance, drawing, holography, and the participation of the viewer to explore new ideas of physical and psychological space."--Jacket. | |
| 650 | 0 | |a Video art |z United States |v Exhibitions. | |
| 650 | 0 | |a Installations (Art) |z United States |v Exhibitions. | |
| 650 | 0 | |a Art, American |y 20th century |v Exhibitions. | |
| 600 | 1 | 4 | |a Acconci, Vito, |d 1940- |
| 600 | 1 | 4 | |a Graham, Dan, |d 1942- |
| 600 | 1 | 4 | |a Jonas, Joan, |d 1936- |
| 600 | 1 | 4 | |a Lucier, Mary, |d 1944- |
| 600 | 1 | 4 | |a Morris, Robert, |d 1931- |
| 600 | 1 | 4 | |a Nauman, Bruce, |d 1941- |
| 600 | 1 | 4 | |a Ono, Yoko, |d 1933- |
| 600 | 1 | 4 | |a Oppenheim, Dennis, |d 1938- |
| 600 | 1 | 4 | |a Sonnier, Keith, |d 1941- |
| 600 | 1 | 4 | |a Warhol, Andy, |d 1928-1987. |
| 650 | 7 | |a Art, American. |2 fast |0 (OCoLC)fst00815895 | |
| 650 | 7 | |a Installations (Art) |2 fast |0 (OCoLC)fst00974250 | |
| 650 | 7 | |a Video art. |2 fast |0 (OCoLC)fst01166389 | |
| 651 | 7 | |a United States. |2 fast |0 (OCoLC)fst01204155 | |
| 648 | 7 | |a 1900-1999 |2 fast | |
| 655 | 0 | 7 | |c v |a Exhibition catalogs. |2 aat |
| 655 | 7 | |a Exhibition catalogs. |2 fast |0 (OCoLC)fst01424028 | |
| 655 | 7 | |a Exhibition catalogs. |2 lcgft | |
| 710 | 2 | |a Whitney Museum of American Art, |e host institution. | |
| 776 | 0 | 8 | |i Online version: |a Iles, Chrissie. |t Into the light. |d New York : Whitney Museum of American Art : Distributed by H.N. Abrams, ©2001 |w (OCoLC)606748383 |
| 994 | |a C0 |b PMN | ||
| 956 | |a CONV |b 00 |c 20060319 |l PMA01 |h 2107 | ||
| 956 | |a BATCH-UPD |b 00 |c 20060725 |l PMA01 |h 1504 | ||
| 956 | |c 20071031 |l PMA01 |h 1922 | ||
| 956 | |a exlibris |b 00 |c 20150406 |l PMA01 |h 1824 | ||
| 956 | |a OCLCxfer |b 00 |c 20220401 |l PMA01 |h 1546 | ||
| 956 | |a MASTER |b 99 |c 20220401 |l PMA01 |h 1548 | ||
| 049 | |a PMNA | ||
| 852 | 0 | |a PPPM |b PMA |c MAIN |h N6512.5 .V53 |i I43 2001 | |
| 930 | |m BOOK |1 PMA |2 MAIN |h N6512.5 .V53 |i I43 2001 |5 31876001022355 |f 01 | ||
| 999 | f | f | |i 5e88dbf8-d252-5520-a883-bfbbd0c4e6ff |s 9208598e-265d-598e-b87e-bfba5896441c |t 0 |
| 952 | f | f | |p Can circulate |a PMA Library |b PMA Library |c PMA Library |d Main Stacks |t 0 |e N6512.5 .V53 I43 2001 |h Library of Congress classification |i book |m 31876001022355 |