Beyond the brillo box : the visual arts in post-historical perspective /
"Arthur C. Danto argues here that Andy Warhol's 'Brillo Box' of 1964 brought the established trajectory of Western art to an end and gave rise to a pluralism which ha schanged the way art is made, perceived, and exhibited. Wonderfully illuminating and highly provocative, his essa...
Saved in:
| Online Access: |
Check for access via Internet Archive |
|---|---|
| Author / Contributor: | |
| Imprint: |
Berkeley :
University of California Press,
[1998]
|
| Format: | Book |
| Language: | English |
| Subjects: | |
| Acquisition Notes: | Gift of Roberta K. Tarbell, 2018 |
| Series: | Internet Archive Lending Library
|
MARC
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| 100 | 1 | |a Danto, Arthur C., |d 1924-2013. | |
| 245 | 1 | 0 | |a Beyond the brillo box : |b the visual arts in post-historical perspective / |c Arthur C. Danto. |
| 260 | |a Berkeley : |b University of California Press, |c [1998] | ||
| 300 | |a x, 263 pages : |b illustrations ; |c 23 cm | ||
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| 500 | |a Originally published: New York : Farrar Straus Giroux, 1992. | ||
| 500 | |a Includes index. | ||
| 505 | 0 | 0 | |t Introduction -- |t Animals as Art Historians: Reflections on the Innocent Eye -- |t The Art World Revisited: Comedies of Similarity -- |t Symbolic Expressions and the Self -- |t Metaphor and Cognition -- |t Art and Artifact in Africa -- |t Shapes of Artistic Pasts, East and West -- |t The Abstract Expressionist Coca-Cola Bottle -- |t High Art, Low Art, and the Spirit of History -- |t Censorship and Subsidy in the Arts -- |t Dangerous Art -- |t The Museum of Museums -- |t Learning to Live with Pluralism -- |t Narrative and Style -- |t Index. |
| 520 | |a "Arthur C. Danto argues here that Andy Warhol's 'Brillo Box' of 1964 brought the established trajectory of Western art to an end and gave rise to a pluralism which ha schanged the way art is made, perceived, and exhibited. Wonderfully illuminating and highly provocative, his essays explore how conceptions of art--and resulting historical narratives--differ according to culture. They also grapple with the most challenging issues in art today, including censorship and state support of artists"--Back Cover. | ||
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