Matisse in the 1930s /
In 1930, as Henri Matisse (1869-1954) embarked on The Dance, a monumental mural commissioned by the American collector Albert C. Barnes, he began experimenting in ways that would permanently change the nature of his work. The use of pre-painted cut papers to lay out his compositions led to a new sty...
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| Format: | Book |
| Language: | English |
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Philadelphia :
Philadelphia Museum of Art, in association with Yale University Press
2022.
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| Subjects: |
Table of Contents:
- Foreword / Timothy Rub
- Matisse in the 1930s / Matthew Affron, Cécile Debray, Claudine Grammont
- Essays.
- Matisse, Zervos, and Cahiers D'Art / Chara Kolokytha
- A crisis and four exhibitions / Éric de Chassey
- Matisse/Picasso: the Duo's revival in the Cahiers D'Art / Cécile Debray
- Lydia Delectorskaya and the making of Matisse / Ellen McBreen
- Matisse's mural art / Matthew Affron
- Matisse's studio in the making of his work / Claudine Grammont
- Cahiers D'Art.
- Extracts 1926-39
- Works.
- The three sisters / Cécile Girardeau
- Paul Guillaume and Matisse / Cécile Girardeau
- Woman with a veil / Alix Agret
- The yellow dress / Laurence Schlosser
- Henriette I, II, III / Laurence Schlosser
- Matisse and international Black modernity / Denise Murrell
- Matisse's world tour / Alix Agret
- Matisse and Philadelphia / Matthew Affron
- Pierre Matisse Gallery / Aymeric Jeudy
- Large reclining nude / Aymeric Jeudy
- Nymph in the forest (Verdure) / Claudine Grammont
- Woman in blue / Ellen McBreen
- The Romanian blouse / Alice Marsal
- Rouge et noir: a museum of synthesis? / Juliet Bellow
- Themes and Variations / Matthew Affron
- Chronology.
- The artist at work 1926-40 / Anne Théry.